Every layer of sound adds to the experience of watching the film. The opening sequence is a montage of nearly one hundred shots used to illustrate the prologue and is played out in a rapid flow of images.
He achieves this by giving the viewers a taste of the excitement to come by showing a few short clips of some if the film. Miami was used to shoot the film because of its Latino genre and its religious environment hot country- hot blooded.
The plays were performed in the afternoon, and the playhouses did not have the advantages of lighting or special effects. Furthermore, the music is also very lively and upbeat. Everything the viewer sees, from the guns to the petrol signs, has close attention to detail to affect the way we interpret the film.
He did this for 2 reasons: How to cite this page Choose cite format: Luhrmann follows this image with photographs of the two families on the front of the newspaper separated by a photograph of the statue of Jesus. People listened to this and were deeply encouraged to go and watch the film because of what they heard from the soundtrack.
Each shot is very different. Like Verona, it is an incredibly hot city, which can be used to highlight the strength of emotions, from love and passion to violence and hatred.
It is also a place where women are less powerful and more protected than men. At any one point in the film there are a lot of sounds being played for all the different types of things, which you can here, even in the simplest scenes.
The original version is set in Verona, a town in Italy. Luhrmann clearly distinguishes the downtown area from the beach.
Many younger children are into guns and weapons, which is why they are used. In the original Shakespearean text the play opens in Verona town square with the two rival families quarrelling.
If Luhrmann had altered the Capulets and Montagues so that they were courteous and discerning then the appeal would be reduced. The Capulets are clearly portrayed as the skilled ones and the Montagues are the contrary. This makes them hungry for more. Abra a big scary looking character who strikes fear into the Montagues he also loses his temper and Tybalt.
Luhrmann emphasizes the setting as the Prologue ends. But the Capulet boys are much more mean and bullish. It took over one hundred and seventy and over a week to create the opening fight scene which enjoyed a screen time of a mere five minutes.
At first, the team were unsure that Claire Danes was the right actress to play Juliet because she was so unknown but again, the workshops proved she was the perfect on-screen lover for Di Caprio.
For example, the scenes which take place at night make repeated references to objects associated with darkness, such as the moon, stars, and artificial sources of light, such as lamps and torches, to help create a sense of atmosphere and setting. Their first choice was Miami, USA. The bright colours and loosely-worn clothes of the suggest that Montagues always look positively on all situations and are unaware of evils.
Detail in the sound is just as crucial as detail of images to help our understanding of the plot. Luhrmann uses the beach as the place where the worlds of love and conflict clash when peaceable Romeo encounters "fiery" Tybalt.
As such, it appeals to most young people because they like upbeat music. The repeated focus on the Jesus statue and other religious icons comments on how religion, like the law, is no longer an effective means of maintaining peace and harmony in modern society.
Luhrmann has also added humour, diegetic sounds and non-diegetic music. The habit of testing the boundaries provokes the 3rd Civil Brawl with the Capulets, which is preceded by a massive build-up, enhanced by cleverly chosen camera angles.
There is a complete contrast between this scene and the gas station scene as the water in the pool provides a sensual, passionate comfort level for the audience. The way in which Tybalt moves embellishes his character.
The pressure that the filmmakers came under to show that the bullets were hitting objects rather than people is interesting. These opening shots of a city divided by violence sets the scene for the subsequent action of the film.
To help them understand the play, he made the language more visual so that one could see what certain words meant. The auteur theory holds that certain directors make utterly distinctive films.
However the opera used creates such a powerful effect that it does not bother what genre the music is.To assess Baz Luhrmann's use of setting in his film, Romeo + Juliet, we can begin by contrasting the film with the play as it was originally performed in the 16th-century theatre.
The key difference between the manner in which the film and the play deal with location is that the film is primarily an. Free Essay: Analysis of Baz Luhrmann's Use of Cinematic Devices in the Opening Scenes of William Shakespeare's Romeo and Juliet Baz Luhrmann's film. Baz Luhrmann's Romeo & Juliet Essay.
Words Nov 3rd, An Analysis of the Opening Sequence of Baz Luhrmann's Interpretation of William Shakespeare's Romeo and Juliet. Opening Sequence of Baz Luhrmann's Interpretation of William Shakespeare's Romeo and Juliet In This essay, I am going to be analysing the opening sequence of Baz Luhrmann's.
- An Analysis of the Opening Sequence of Baz Luhrmann's Interpretation of William Shakespeare's Romeo and Juliet In This essay, I am going to be analysing the opening sequence of Baz Luhrmann's Interpretation of William Shakespeare's Romeo & Juliet.
Romeo + Juliet Romeo + Juliet is a film based on the well-known play written by William Shakespeare, Romeo and Juliet. It was directed by Baz Luhrmann and is set in Verona, a city in Italy.
In this essay, I will be describing the first scene in the film (the prologue), and explaining how verbal and visual features were used in this scene to. To what extent do you agree with the statement about Baz Luhrmann’s ‘Romeo and Juliet’, that, ‘if you enjoy the service station scene at the beginning, you will .Download