Even when they have strong elements of the grotesque or the supernatural, these aspects are not included primarily for the sake of shock or to suggest an allegorical moral. There is a strong contrast between this homage to the industrial revolution and the more mystic and communal affairs of a small, obscure village.
Following her, he observes her enter a secret room where she has placed the statue and watches as she embraces and kisses the figure, apologizing to her dead husband for not having loved him enough.
While traveling, however, Willowes is badly burned while rescuing some people from a burning building. Mop is also compared to Paganini, who was rumored to have drawn his power from the devil. She is so caught up by the fiddler that she even detects his footsteps on the road by her house when he is on his way to visit another woman.
Naturally, the minister is shocked and disapproves of such activities, but his concern for Lizzy eventually overcomes his inhibitions.
Uplandtowers is disappointed, however, because he realizes that Barbara does not love him with the same passion she felt for Willowes and because she gives him no male heir. This time, the two marry and she writes a religious tract based on her experience: In the end, however, Stockdale cannot live with both Lizzy and his conscience, and he leaves the town to take a church elsewhere in England.
Stockdale soon discovers, however, that Lizzy is not as totally respectable as she appears. Her passion is such that she finally rejects the marriage proposal of her former lover, Ned Hipcroft: Finally, she turns again to Conjuror Trendle, who assures her that the one cure for her arm is to touch the neck of a newly hanged man.
Gradually, he realizes and she reveals to him that she is working with a group of smugglers who help to support the town during the winter and that in fact she, with her cousin Jim Owlett, is a leader of the smugglers.
Lady Barbara is a young woman who spurns the advances of her neighbor, Lord Uplandtowers, and elopes with a commoner, Edmund Willowes. The alteration terrifies Barbara, but she still refuses to renounce her love for Willowes.
Although this tale follows the outlines of the horror story genre, Hardy does not place his emphasis on the horror of the withered arm or the hanged man, as, for example, Edgar Allan Poe would; nor does he seek for a deeper meaning behind the affliction as Nathaniel Hawthorne might.
Gertrude collapses and soon dies from the stress and shock of her experience: The coming of the railroad to that village is just one sign of the disappearance of a way of life which had lasted for centuries.
Although the men of the area do not care much for him, he seems to have an almost magical power over women when he plays. The couple marries and the three live happily in London for a few years until they decide to return to their hometown in Wessex.
Instead, Hardy builds around these elements to construct telling and convincing psychological portraits of his characters. Instead, the supernatural element is almost taken for granted. Being new to town, he takes lodgings and discovers his new landlady, Lizzy Newberry, to be a beautiful young widow.
There is a mark on her arm like fingerprints, which shocks Rhoda as much as it dismays Gertrude. He soon realizes, however, that Barbara has been leaving her bed at night and wandering off. Hardy was proud that they were often based on and permeated with local legends and folktales; still, the stories are not merely country fables.
None of the objects wore the attractiveness in this their real presentation that had ever accompanied their images in the field of his imagination when he was more than two thousand miles removed from them. The tone of the narrator is lightly skeptical, suggesting the possibility of some psychological origin or even physical cause for the disability, but the concentration and the concern of the story are on the characters, first of Rhoda and then of Gertrude.
When he returns, he is so disfigured that Barbara cannot bear to look at him, and he leaves again for Europe. Time had not condescended to wait his pleasure, nor local life his greeting.
Although this ending also has humorous overtones, Hardy himself did not care for it. Barbara later receives a statue from Pisa which was commissioned by Willowes while he was traveling in Italy. The two are almost immediately attracted to each other and soon fall in love.
Once again, Lackland leaves his village and is never seen again.An Analysis of The Withered Arm by Thomas Hardy PAGES 5. WORDS View Full Essay. More essays like this: character analysis, thomas hardy, the withered arm.
Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University. character analysis, thomas hardy, the withered arm. Not sure what I'd do without. The withered arm - credibility essaysCredibility of Story and Characters In this essay, I am going to explain how Thomas Hardy makes events seem credible in his short story, " The Withered Arm".
The Withered Arm was written by Thomas Hardy towards the end of the nineteenth century, but t. Write a critical analysis of the poem "In Church" by the poet Thomas Hardy.
The poem "In Church" is representative of Hardy's many religious poems. Thomas Hardy began as a novelist and turned to writing poetry later in life. The Withered Arm, by Thomas Hardy ‘The past is a foreign country.
They did things differently there.’ ‘The Go Between’ by L.P. Hartley. Thomas Hardy, a Victorian novelist, based his stories on experience of growing up in rural Dorset.
The Withered Arm by Thomas Hardy is like much of Hardy's writing - about life in rural England in the 19th century. Find out about the main characters in the short story.
Find out about the main characters in the short story. Compare and Contrast Hardy's Presentation of the Two Women throughout the Story. The Withered Arm is about Rhoda Brook who has a dream about his husband's (Farmer Lodge's) new young wife, Gertrude, in which she is evil and Rhoda hurts her arm.Download